Here's a summary of all changes to the score of Fantasia Apocalyptica that have been made since 08 February 2017. (All of these changes have already been incorporated into the PDF files that are online.) Chapter 1 bar 7: left hand now c-natural, not c-sharp bar 32: missing double-dotted b in right hand after the tie bars 69 and 70: these should be played more slowly, in "stately" fashion: Meno mosso (quarter=80); then Piu mosso (quarter=100) in bar 71 bar 77: pedal now says "+ 16", not "+ fagott 16" bar 88: left hand now "Gt", not "Sw" Chapter 2 bar 6: add slur in right hand between beat 4 and bar 7 bar 36: omit tie in right hand between beats 3 and 4 bar 52: metronome marking should be 104, not 88 bar 54, beat 2: left-hand note should be e, not c Chapter 3 bar 17: both hands on Gt bar 18, e-flat (I had tried e-natural during 2017-2018, but changed my mind) bar 23: add tie in right hand between beat 5 and bar 24 bar 76: remove fermata; both hands also now marked staccato bar 81: should be labeled "3:19", not "3;19" Chapter 4 bar 1: insert "Ped 4,2 only" below bar 2: insert "repeat ad lib." (I mean, bars 1 and 2 can be repeated until the performer feels that heaven has indeed been opened) bars 24 and 25: I'd like the performance to subtly reflect the beaming groups; but I didn't mark them with slurs because that would be too unsubtle; so I didn't actually change these bar 27: d-naturals should be e-flats, in right hand (twice) bar 44: add the metric modulation "dotted half = half" (hence there now are two "beats" to the bar, if there was one "beat" in each of bars 34-43) bar 63: remove the notation "dotted quarter = quarter" (tempo doesn't change) Chapter 5 bar 7: change from 21/8 to 7/4 time, with triplets; then no need for tempo changes "dotted quarter = quarter, quarter = dotted quarter" bar 30, beat 1: right hand now doubles the left hand, an octave higher bar 30: now says "Gt" instead of "Gt trumpet Sw" Chapter 6 bar 3: l.h. repeats the oboe passage from bar 1 bar 12: l.h. repeats the oboe passage from bar 10 bar 21: l.h. repeats the oboe passage from bar 19 bar 33: l.h. repeats the oboe passage from bar 31 bar 39: insert caesura before the change to 5/8 bar 50: l.h. repeats the oboe passage from bar 48 bar 54, beat 4: "+ 4'" bar 62: l.h. repeats the oboe passage from bar 60 bars 63 and 64: "+ tremulants", not "+ trem. + trem." bar 77: "- tremulants", not "- trem." bar 88: "dulzian 16", not "+ dulzian" Chapter 7 bars 14 and 15: change from 9/8 to 3/4 time, with triplets (see Chapter 5 bar 7) bar 20: a-sharp, not a-natural bar 28: change tempo to "Andante con moto dotted-half = 96" Chapter 8 bar 3: l.h. repeats the oboe passage from bar 1 bar 5: move "8:2" to bar 7 bar 11: add "rubato" bars 16 and 19: change "trem." to "tremulants" Chapter 9 bar 20: d-naturals should be e-flats, in both hands bar 42; b-natural in left hand, not b-flat [matches bar 51] Chapter 10 bar 23: insert caesura before the change to 9/8 bar 48, beat 2: g-flats, not g-naturals, in both hands bar 48, beat 3: g-natural in both hands (because of the change in beat 2) bar 52, beat 1: g-naturals, not g-flats, in both hands bar 52, beat 3: g-flat, not g-natural, in both hands Chapter 11 bar 11: move "rit." here from bar 12 bar 51: insert a decrescendo hairpin Chapter 12 bar 14, after beat 3: comma missing in r.h.; three commas too many in l.h. bars 15, 17, 18: insert comma after beat 3 bar 30: say "reeds" bar 52: say "flutes 8 2" bar 53: say "+ oboe" bar 55: say "- oboe" Chapter 13 bar 1: a-natural, not a-flat bar 6: no slur in left hand between beats 2 and 3 bar 32: left hand g-sharp should say a-flat bar 52: slur between beat 2 and the next bar bar 57: slur between beat 2 and the next bar bar 68: change to 5/8 meter, not 5/4, and break this bar into two; as a result, all bars formerly numbered 69, 70, ... are now bars 70, 71, ... bars 70-72 (formerly bars 69-71): quarter notes (and rests) become eighth notes [the effect of these changes is to double the speed of the former bars 69-71] bar 84 (formerly bar 83): slur between beat 2 and the next bar Chapter 14 Chapter 15 bar 1: say "mf" bar 1, beat 4: g natural bar 44, beat 4 is g natural, beat 5 is g sharp bar 47, beat 4 is g natural, beat 5 is g sharp bar 51, beat 4 is g natural, beat 5 is g sharp Chapter 16 bar 2: left hand g-natural on beats 1 and 4, g-sharp on beats 2 and 5 bar 36: say "Sw" on upper staff (right hand) bar 37: say "Gt" on lower staff (left hand) bar 82: say "Sw + Sw4" on upper staff, "Gt" on lower staff; omit "Sw" in middle bar 82: all sixteenth notes to be marked staccato bar 87: say "Sw" between the staves bar 117: omit a in left hand Chapter 17 bar 78: the quarter-note f in right hand should be a whole note, tied to the eighth-note f in bar 79 bar 81: move "rit." to bar 82 Chapter 18 bar 57: tempo should say quarter = 40 bar 72: tempo should say quarter = 36 bar 72: say "rubato" Chapter 19 bars 8, 9, 10: left hand now g-sharp, not a-sharp bar 74, beat 4: say "maestoso" Chapter 20 Chapter 21 bar 5, beat 3: respell g-flat as f-sharp bar 6, beat 2: respell e-flat as d-sharp bar 8, beat 2: respell g-flat as f-sharp, e-flat as d-sharp bar 32, beat 2: f-sharp, not f-natural bar 55: say "freely" bar 58, beat 3: right hand plays c, not e bar 62, beat 1: this cluster should be a triplet (eighth-eighth-eightrest), not sixteenth-sixteenth-eighthrest bar 63, beat 3: same as bar 62 beat 1 bar 72: slur over all twelve notes bar 96: say "(vary the tone colors throughout this chant)" bar 130, beat 1: same as bar 62 beat 1 bar 131, beat 2: same as bar 62 beat 1 Chapter 22 bar 39, beat 4: left hand plays c-e-g-c, not c-f-a-c bar 73: hands should play halfnotes and halfrest, not wholenotes bar 64, beat 2: f-sharp, not f-natural, in left hand