Each of the following motifs in the original Greek text has been "translated" into a musical idiom as explained below, in the verses cited. 144,000 (ΕΚΑΤΟΝ ΤΕΣΣΕΡΑΚΟΝΤΑ ΤΕΣΣΑΡΕΣ ΧΙΛΙΑΔΕΣ) implicitly indicated by changeringing @07:04,14:01 altar (ΧΥΣΙΑΣΤ...) 5-beat rhythm: half half quarter, quarter quarter half quartrest @08:03,09:13,11:01,16:07 amen (ΑΜΗΝ) uh-huh, c-f @01:06,01:07,03:14,05:13,05:14,07:12,12:12,16:07,19:04,22:21 angel (ΑΓΓΕΛ...) arpeggio @01:01,03:05,05:02,05:11,07:01,07:02,07:11,08:02,08:03,08:05,08:06,09:11,09:14,10:01,10:07,12:07,12:09,14:06,14:08,14:10,14:17,14:18,15:01,15:06,15:07,15:08,16:01,16:02,16:03,16:04,16:05,16:08,16:10,16:12,16:17,17:01,17:07,18:01,18:21,19:17,20:01,21:09,21:12,21:17,22:06,22:08,22:16 ascend (ΑΝΕΒΗΣ...) upward moving notes @11:12,12:05,12:16,13:01,13:11 assemble (ΣΥΝΑΓΑΓ...) bugle call: assembly @16:14,16:16,20:08 authority (ΕΞΟΥΣ...) repeat phrase thrice @06:08,09:03,09:18,11:06,12:10,13:02,13:04,13:05,13:07,14:18,17:13,18:01,22:14 Babylon (ΒΑΒΥΛΩΝ) recitative theme from Walton, Belshazzar's Feast 217 @14:08,16:19,17:05,18:10,18:16,18:19,18:21 beast (ΧΗΡΙΟΝ) c-e♭-F♯ with second note emphasized @11:07,13:01,13:02,13:04,13:08,13:14,15:02,16:10,16:13,17:03,17:07,17:08,17:11,17:13,17:16,17:17,19:19,19:20,20:10 black (ΜΕΛΑΣ) black notes on the keyboard @01:14,06:12,08:05 blasphemy (ΒΛΑΣΦΗΜ...) 12-tone row, pitches 0 1 3 2 9 5 11 3 8 10 7 6 @13:01,13:05,13:06,16:09,16:11,16:21,17:03,21:27 blessed (ΜΑΚΑΡ...) arpeggiated accompaniment G-e-c G-e-c G-e-c @01:03,07:12,16:15,19:09,20:06,22:14 blood (ΑΙΜΑΤ...) "coagulated" (clustered) notes @01:05,05:09,06:10,07:14,08:07,08:09,11:06,12:11,14:20,16:03,16:06,17:06,18:24,19:02,19:13 book, scroll (ΒΙΒΛ...) something inspired by Hindemith @01:10,01:11,01:19,05:01,05:07,06:14,10:02,10:08,10:09,10:10,22:07,22:09,22:17 book of life (ΒΙΒΛΩ ΖΩΗΣ) seven-note theme G-d-c-e♭-d-f-c @03:05,13:08,17:08,20:12,20:15,21:27 bowl (ΦΙΑΛ...) two-note interval that confines the wrath motif temporarily @15:07,16:01,16:02,16:03,16:04,16:08,16:10,16:12,16:17,16:19,18:06 bride, wedding (ΝΥΜΦ..., ΓΑΜΟΣ) "g-c', e-g" melody based on Bernstein, One hand one heart @18:23,19:07,19:09,21:02,21:09,22:17 cardinal (ΠΥΡΡ...) theme from Mary Roberts Smith, "Hail, Stanford, hail!" (1894) @12:03 church (ΕΚΚΛΗΣ...) bugle call: church service @01:04,01:11,02:01,02:08,02:12,02:18,03:01,03:07,03:14 city (ΠΟΛΙ...) theme from Prokofiev's Ivan Groznyii, Opus 116 (1. Overture 5) @11:02,11:08,11:13,16:19,17:18,20:09,21:02,21:15,21:16,21:18,21:21 close (ΚΛΕΙΣ...) close the organ's Swell shades @03:07,11:06,20:03,21:25 cloud (ΝΕΦΕΛ...) something inspired by Debussy @01:07,11:12 come (ΕΡΧΕΤ...) suspirans (a rest preceding the melody) @01:07,02:16,02:25,03:03,03:10,03:11,06:01,06:03,06:05,06:07,07:14,09:12,11:14,15:06,16:15,17:01,17:11,21:09,22:06,22:07,22:10,22:12,22:17,22:20 conquer (ΝΙΚΩ...) theme "we shall overcome" @02:26,03:21,05:05,06:02,11:07,12:11,13:07,15:02,17:14,21:07 creatures (ΤΕΣΣΑΡΑ ΖΩΑ) four-note theme e-f-d-g (sometimes f-d-g-e, d-g-e-f, g-e-f-d when the four creatures are distinguished) @04:06,04:07,04:08,04:09,05:06,05:08,05:11,05:14,06:01,06:03,06:05,06:07,07:11,14:03,15:07,19:04 crown (ΣΤΕΦΑΝ...) complementary notes of chord played on two manuals with contrasting timbres @01:13,03:11,04:04,04:10,09:07,12:01,13:01,14:14 cry (ΕΚΛΑΙ...) theme "crying in the chapel" @05:04,18:09,18:18 darkness (ΕΣΚΟΩ...) bugle call: taps ("gone the sun") @09:02,16:10 David (ΔΑΥΙΔ) the ancient Greek pitches for DAYID @03:07,05:05,22:16 day (ΗΜΕΡ...) bugle call: reveille @01:10,02:28,04:08,07:15,09:06,09:15,10:07,11:03,11:11,12:10,18:08,20:10 death (ΘΑΝΑΤ...) absence of notes @01:18,03:01,06:08,08:11,09:06,18:08,19:20,19:21,20:14,21:04,21:08 deathblow (ΠΛΗΓ...) from Stravinsky, Petrouschka 1.47 @13:1,13:1,18:08 descend (ΚΑΤΑΒΑΙ...) downward moving notes @03:12,10:01,12:09,18:01,19:02,20:01,20:09,21:02 dragon (ΔΡΑΚΩΝ) c-e♭-F♯ with first note emphasized @12:03,12:07,12:15,12:16,12:17,12:18,13:02,13:04,16:13,20:10 dwell (ΚΑΤΟΙΚΟΥ...) interleave melody (on beat) with fixed note (off beat) @03:10,07:15,13:06,13:08,13:12,13:14,15:05,17:02,21:03 eagle (ΑΕΤΩ) an eagle call (its peal and/or chatter) @04:07,08:13,12:14 earth (ΓΗΣ) I Ching trigram down-down-down @01:05,03:10,05:03,05:13,06:08,06:13,06:15,07:01,07:02,08:05,08:07,09:01,09:03,10:02,10:04,10:08,11:04,11:06,12:04,12:09,12:12,12:16,13:03,13:08,13:11,13:12,13:13,13:14,14:07,14:15,14:16,14:18,14:19,16:01,16:02,16:18,17:02,17:05,17:18,18:09,18:24,19:19,20:08,20:09,20:11,21:24 earthquake (ΣΕΙΣΜ...) tremulants; also a seismograph effect on the Big one (16:18) @06:12,08:05,11:13,11:19,16:18 eat (ΔΕΙΠΝ..., ΦΑΓ...) bugle call: mess call @03:20,10:09,10:10,17:16,19:17,19:18,19:21 elders (ΕΙΚΟΣΙ ΤΕΣΣΑΡΑΣ ΠΡΕΣΒΥΤΕΡ...) chromatic scale of 24 notes @04:04,04:10,05:06,05:08,05:11,05:14,07:11,11:16,14:03,19:04 eyes (ΟΦΘΑΛΜ...) play in octaves @01:07,01:14,02:18,03:19,04:06,04:08,05:06,07:17,19:12,21:04 face (ΟΨΣΙΣ) play parallel fourths or fifths @01:16,05:08,05:14,07:11,09:07,10:01,22:04 faith (ΠΙΣΤ...) trill @01:05,02:10,02:13,02:19,03:14,13:10,14:12,17:14,21:05,22:06 false prophet (ΨΕΥΔΟΠΡΦΗΤ...) c-e♭-F♯ with third note emphasized @13:11,16:13,19:20,20:10 fear (ΦΟΒ...) tremolo between two sets of notes @01:17,02:10,03:09,11:11,19:05 feet (ΠΟΔ...) play on pedals @01:13,01:15,01:17,02:18,03:09,10:01,10:02,11:11,12:01,13:02,19:10,22:08 fire (ΠΥΡ...) I Ching trigram up-down-up @01:14,01:15,02:18,03:18,04:05,08:05,08:07,08:08,09:17,09:18,10:01,11:05,13:13,14:10,14:18,15:02,16:08,18:08,19:12,19:20,20:09,20:10,20:14,21:08 five (ΠΕΝΤ...) do something five times @09:05,09:10 forehead (ΜΕΤΩΠ...) theme from Prokofiev's Ivan Groznyii, Opus 116 (31. Song of Oprichniki 148) @07:03,09:04,13:16,14:01,14:09,17:05,20:04,22:04 forever and ever (ΑΙΩΝΑΣ ΤΩΝ ΑΙΩΝΩΝ) a pastorale theme (chosen from among different composers) @01:06,01:18,04:09,05:13,07:12,10:06,22:05 forty-two (ΤΕΣΣΕΡΑΚΟΝΤΑ) three times seven-against-two @13:05 four (ΤΕΣΣΑΡ...) do something four times @07:01,07:02,09:13,09:14,20:08 gates (ΠΥΛΩ...) rapid triad c-e-g @21:12,21:15,21:25,22:14 glass (ΥΑΛΙΝ...) reflection @04:06,15:02,21:18,21:21 glory (ΔΟΞΑ) theme c-d-e-f-e-d-e from Brahms Triumphlied 1B "Ehre und Kraft" @01:06,04:09,05:12,07:12,11:13,14:07,15:08,19:07,21:11,21:23,21:24,21:26 God (ΘΕΟΥ) theme G-e-c @01:10,02:05,03:05,03:12,04:08,05:10,07:02,07:03,07:10,07:12,10:07,11:16,12:05,12:06,12:17,13:12,15:07,15:08,16:14,16:19,17:17,19:05,19:09,19:17,20:09,21:03,21:07,21:10,21:11,21:23,22:01,22:03,22:04,22:05,22:09 God the Creator (ΘΕΩ ΚΑΙ ΠΑΤΡΙ) theme G-e-c with first note emphasized @01:06,04:11,11:1,12:10,14:01,16:07,18:08,19:06,21:22 God the Μessiah (ΧΡΙΣΤΟΥ) theme G-e-c with second note emphasized @01:01,01:02,01:05,01:08,01:16,02:18,12:10,12:17,16:15,17:06,19:10,21:06,22:16 God the Σpirit (ΠΝΕΥΜΑ) theme G-e-c with third note emphasized @12:01,19:1,22:17 gold (ΧΡΥΣ...) close harmony @01:12,01:13,01:20,02:01,03:18,04:04,09:07,09:13,14:14,15:06,15:07,17:04,18:16,21:15,21:18,21:21 grace (ΧΑΡΙΣ) grace notes @01:04,22:21 hail (ΧΑΛΑΖ...) candrakalaa rhythm: 2 2 2 3 3 3 1 @08:07,11:19,16:21 hands (ΧΕΙΡ...) play parallel thirds or sixths @10:02,10:05,10:08,10:09,14:14 harp (ΚΙΘΑΡ...) arpeggiated chords @14:02,15:02 heads (ΚΕΦΑΛ...) play parallel tritones @01:14,09:17,10:01,12:03,17:09,19:12 hear (ΑΚΟΥ...) quote the ancient Delphic hymn to Apollo (Pöhlmann and West #20) @01:03,02:07,02:11,02:17,02:29,03:06,03:13,03:22,13:09,18:23,22:18,22:19 heart (ΚΑΡΔΙ...) heartbeat rhythm @02:23,17:17,18:07 heaven (ΟΥΡΑΝ...) I Ching trigram up-up-up @04:01,04:02,05:03,05:13,06:13,09:01,10:05,10:08,11:19,13:06,13:13,14:02,14:07,15:05,18:05,19:11,20:01,20:11 holy (ΑΓΙ...) melody e-e-e-d-c (inspired by Tchaikovsky's Symphony 2) @03:07,04:08,05:08,06:10,08:03,11:02,11:18,13:07,13:10,13:12,14:10,14:12,15:04,16:06,17:06,18:24,19:08,20:06,20:09,21:02,21:10,22:11 horns (ΚΕΡΑΤ...) play with reed stop on organ @05:06,12:03,13:01,13:11,17:03,17:12,17:16,18:22 horse (ΙΠΠΟ...) imitate a horse's whinny @06:02,06:04,06:05,06:08,09:07,09:16,19:11,19:14,19:18,19:19 hour (ΩΡΑ...) Westminster chimes e-c-d-G, G-d-e-c @03:03,03:10,09:15,14:07,14:15,17:12,18:10,18:16 immorality (ΠΟΡΝΕ...) melody with many leaps @02:14,02:20,02:22,09:21,14:08,17:02,17:05,17:15,18:03,18:09,21:08,22:15 iron (ΣΙΔΗΡ...) insert extra notes into chords @02:27,09:09,12:05,19:15 island (ΝΗΣ...) quote melody from Burleigh, John's gone down on de island @01:09,06:14,16:20 Jezebel (ΙΕΖΑΒΕΛ) the ancient Greek pitches for IEZEBEL @02:20,02:21 John (ΙΩΑΝΝ...) syncopated melody e♭-c-e-g (like Norwegian pronunciation of Johan) @01:01,01:04,01:09,22:08 judgment (ΚΡΙΜ..., ΚΡΙΝ...) rhythm from Brahms Triumphlied 1D "seine Gerichte": dotted-half quarter, half quarter quarter, half quarter quartrest @06:10,11:18,14:07,16:06,16:07,17:01,18:08,18:20,19:02,19:11,20:04,20:12,20:13 key to abyss (ΚΛΕΙΣ) a certain descending theme that suggested itself @01:18,09:01,20:01 kill (ΑΠΕΚΤ..., ΑΠΟΚΤ...) rhythm from de Paul, L'il Abner, O happy day @02:23,03:02,06:08,09:15,09:18,09:20,11:05,11:07,11:13,13:10,13:15 king (ΒΑΣΙΛ...) double-dotted rhythm with short notes last (French ouverture style) @01:05,01:06,05:10,06:15,09:11,10:11,11:15,12:10,16:12,16:14,17:02,17:09,17:10,17:12,17:14,17:18,18:09,19:06,19:16,19:18,19:19,20:04,20:06,21:24 lake (ΛΙΜΝ...) I Ching trigram down-up-up @20:10,20:14,21:08 lamb (ΑΡΝΙ...) baaaa, usually played by the oboe @05:06,05:13,06:01,06:03,06:05,06:07,06:09,06:12,06:16,07:10,07:14,07:17,08:01,12:11,13:08,13:11,14:01,14:04,14:10,17:14,19:07,19:09,21:09,21:14,21:22,21:23,21:27,22:03 lampstands (ΛΥΧΝ...) Triparion theme, inspired by Tchaikovsky's 1812 overture @01:12,01:20,02:01,04:05,11:04,18:23,21:23 life (ΖΩΗ...) arpeggiated accompaniment G-c-e-c G-c-e-c or c-e-g-e c-e-g-e @07:17,11:11,19:20,21:06,22:01 light (ΦΩΤΟ...) cluster of five adjacent notes, played staccato @21:11,21:24 lightning (ΑΣΤΡΑΠ...) quote Reubke's Sonata on Psalm 94, Allegro con fuoco @04:05,08:05,11:19,16:18 linen (ΒΥΣΣΙΝ...) interwoven chords @18:16,19:08,19:14 lion (ΛΕΩΝ) octatonic scale 0 1 3 4 6 7 9 10 12 @05:05,09:08,09:17,10:03,13:02 love (ΑΓΑΠ...) quote Seguin, Un Flambeau ("love has come, a light in the darkness") @01:05,02:19,12:11 magic (ΦΑΡΜΑΚ...) a leaping pattern suggested at the end of 235 in Schmidt's Sieben Siegeln @09:21,21:08,22:15 man, human (ΑΝΘΡΩΠ...) Wagner's Tristan chord: F B d♯ g♯ @01:13,02:14,04:07,09:06,09:07,09:15,09:18,09:20,11:13,12:05,12:13,13:13,13:18,14:04,16:08,16:18,16:21,21:17 mark of beast (ΧΑΡΑΓΜΑ) (gracenote c)-e♭-F♯ @13:16,13:17,14:09,17:05,20:04 mountain (ΟΡ...) I Ching trigram up-down-down @06:15,08:08,13:12,16:20,21:10,06:14 mouth (ΣΤΟΜΑΤ...) broken octaves @01:16,02:12,02:16,10:09,11:05,12:15,12:16,13:02,13:05,13:06,14:05,16:13,19:15 mystery (ΜΥΣΤΗΡ...) sustained octaves @01:20,17:05,17:07 name (ΟΝΟΜ...) pedal point (sustained note in bass to underline the other notes) @02:03,03:01,03:04,03:05,03:08,03:12,06:08,09:11,11:13,13:01,13:06,13:08,13:17,14:01,15:02,16:09,16:11,17:08,19:12,19:13,20:15,21:12,21:14,22:04 nations (ΕΘΝΟΥ...) quote Stanford, And I saw another angel ("nations and kindreds and peoples and tongues") @05:09,07:09,10:11,11:09,13:07,14:06,17:15,20:03,21:26,22:02 Nikolaitins (ΝΙΚΟΛΑΙΤΩΝ) the ancient Greek pitches for NIKOL @02:06,02:15 not (ΜΗ) uh-uh, e-c (negates the meaning of the immediately preceding motif) @01:14,01:17,02:10,02:21,03:02,03:09,05:05,09:04,09:20,09:21,10:04,12:08,12:11,13:08,16:12,16:15,16:20,17:08,17:11,18:22,18:23,19:10,20:04,20:06,20:11,20:15,21:04,21:08,21:22,21:23,21:25,21:27,22:09,22:15 olive (ΕΛΑΙ...) excerpt from old advertising jingle "palmolive, proved mildest, milder than cold creme" @11:04 open (ΑΝΟΙ..., ΗΝΕΩ...) open the organ's Swell shades @03:07,04:01,05:03,05:05,05:09,06:01,06:03,06:05,06:07,06:09,06:12,08:01,10:02,11:19,15:05,19:11,20:12 palm (ΦΟΙΝ...) excerpt from old advertising jingle "palmolive, proved mildest, milder than cold creme" @07:09 paradise (ΠΑΡΑΔΕΙΣ...) the music of the iTeX logo @02:07 patience (ΥΠΟΜΟΝ...) long sustained note @01:09,02:02,02:03,02:19,03:09,13:10,14:12 plague (ΠΛΗΓ...) plagal cadence @18:04 poor (ΠΤΩΧ...) non-ornamented @02:09,03:17,13:16 power (ΚΡΑΤ...) rhythm: quarter twelfth twelfth twelfth, quarter twelfth twelfth twelfth @01:06,01:16,03:08,05:12,05:13,06:15,07:12,09:20,10:01,11:17,12:08,12:10,13:02,13:04,13:17,15:08,16:07,18:08,19:0,19:18,21:08,21:22 precious stones (ΙΑΣΠ..., ΣΑΠΦΙΡ..., ΣΜΑΡΑΓΔ..., ...) name of the stone spelled out in Greek Morse code, as plainsong melody @04:03,21:11,21:18,21:19,21:20,21:21 prophet (ΠΡΟΦΗΤ...) contrary motion @01:03,02:20,10:11,11:03,11:06,11:10,11:11,11:12,11:18,18:24,19:10,22:06 purchase, redeem (ΑΓΟΡΑ..., ΗΓΟΡΑ...) a fugue based loosely on Sokolov, I am Alpha and Omega @03:18,13:17,14:03,14:04 red (ΠΥΡΡ...) allusion to Rudolph the red-nosed reindeer @06:04,09:17 rejoice (ΧΑΙΡ...) folk dance style @11:10,18:20,19:07 remember (ΜΝΗΜΟΝ...) sustained tone cluster @02:05,03:03,16:19,18:05 repent (ΜΕΤΑΝΟΗΣ...) double-dotted rhythm with short notes first @02:05,02:16,02:21,02:22,03:03,03:19,09:20,09:21 resurrection (ΑΝΑΣΤΑΣ...) rhythm: triplet followed by half note (Gounod, preface to Mors et vita) @20:05,20:06 rich (ΠΛΟΥΣ...) highly ornamented @02:09,03:17,03:18,05:12,13:16,18:03 rising smoke (ΑΝΕΒΗ Ο ΚΑΠΝΟΣ) imitation of a Shepard tone that appears to be continually ascending @08:04,14:11,19:03 river (ΠΟΤΑΜ...) a very slow trill @08:10,09:14,12:15,12:16,16:04,16:12,22:01 rod (ΡΑΒΔΩ) play with a reed stop [yes I know it's the same as the motif for horns] @02:27,11:01,12:05,19:15,21:15 sabre (ΡΟΜΦΑΙ...) leaping pattern in arpeggiated octaves @01:16,02:12,02:16,19:15,19:21 Satan (ΔΙΑΒΟΛ..., ΣΑΤΑΝ...) c-♭-F♯ @02:10,02:13,02:24,03:09,12:09,12:12,20:02,20:03,20:07 scarlet (ΚΟΚΚΙ...) quote from Lehrer, Fight fiercely, Harvard (think of crimson) @17:03,17:04,17:07,18:16 scorpions (ΣΚΟΡΠΙ...) first half of laksmis rhythm: 2 3 4 @09:03,09:05,09:07,09:10,09:19 sea (ΘΑΛΑΣΣ...) melody e-d-c-e, e-d-c-c inspired by Menken, Under the sea [The little mermaid] @04:06,05:13,07:01,07:02,08:08,10:02,10:05,10:08,13:01,14:07,15:02,18:17,18:19,18:21,20:13 seal (ΣΦΡΑΓ...) something inspired by Alain @06:01,06:03,06:05,06:07,06:09,06:12,07:02,07:03,08:01,09:04,10:04 servant, slave (ΔΟΥΛ...) Stravinsky's Petrouschka chord: A♯ c♯ f♯ mixed with c e g @01:01,02:20,06:15,07:03,10:07,11:18,13:16,19:02,19:05,19:10,22:09 seven (ΕΠΤΑ) do something seven times @01:12,01:16,01:20,02:01,03:01,04:05,05:01,08:02,08:06,10:03,10:07,12:03,13:01,15:01,15:06,15:07,15:08,16:01,17:09,21:09 seven spirits (ΕΠΤΑ ΠΝΕΥΜΑΤΩΝ) melody B-A-f-d-G-e-c "the seven spirits of God" @01:04,01:16,01:20,03:01,04:05,05:06 sign (ΣΗΜΕΙ...) quote Rózsa's Double Indemnity theme @12:01,12:03,13:13,19:20 six (ΕΞ) do something six times @04:08,13:18 smoke (ΚΑΠΝΟ...) glissando @09:02,09:17,09:19,15:08,18:09,18:18 sour (ΠΙΚΡΑΝ...) play in minor key @10:09,10:10 spit (ΕΜΕΣΑΙ) play on the Spitzflöte @03:16 star (ΑΣΤΕΡ...) use the organ's Zimbelstern @01:16,01:20,02:01,02:28,03:01,06:13,08:10,08:12,09:01,12:01,12:04,22:16 sun (ΗΛΙΟΣ) a palindromic melody @01:16,06:12,07:02,07:16,08:05,08:12,09:02,10:01,12:01,16:08,16:12,19:17,21:23 sweet (ΓΛΥΚΥ) play in major key @10:09,10:10 temple (ΝΑΟ...) something inspired by Gershwin @03:12,11:19,15:05,15:06,15:08,16:01,16:17,21:22 ten (ΔΕΚΑ) do something ten times @12:03,13:01,17:03,17:07,17:12,17:16 thanks (ΕΥΧΑΡΙΣΤ...) allude to Schalk's eucharistic hymn Now @04:09,07:12,11:17 three (ΤΡΕΙΣ) do something three times @21:13 three and a half (ΤΡΕΙΣ ΚΑΙ ΗΜΟΣΥ) a rhythm with 3.5 beats per measure @11:03,11:11,12:14 throne (ΘΡΟΝ...) rich jazz chords @01:04,03:21,04:02,04:03,04:10,05:01,05:06,05:13,06:16,07:11,07:15,08:03,11:16,12:05,13:02,16:10,16:17,19:05,20:04,20:11,20:12,21:03,22:01 thunder (ΒΡΟΝΤ...) I Ching trigram down-down-up @04:05,06:01,06:03,06:05,06:07,08:05,10:03,11:19,14:02,19:06 torment (ΒΑΣΑΝΙΣ...) descend three major seconds: c-B♭-A♭-G♭ (Gounod, preface to Mors et vita) @09:05,09:10,11:10,11:13,12:02,12:04,12:13,14:10,14:11,18:07,20:10 trampling (ΠΑΤ...) stamp on pedals @11:02,14:20,19:15 true (ΑΛΗΘΙΝ...) something inspired by Bach @03:07,06:10,19:09,21:05,22:06 trumpet (ΣΑΛΠΙ..) play on trumpet stop @04:01,08:02,08:07,08:08,08:10,08:12,09:01,09:13,11:15,18:22 twelve (ΔΩΔΕΚΑ) do something twelve times @12:01,21:12,21:14,22:02 voice (ΦΩΝ...) something inspired by Borodin @01:15,04:05,06:06,09:13,10:03,10:07,10:08,11:12,11:15,14:02,16:17,16:18,18:04,19:05,19:06,19:17,21:03 wall (ΤΕΙΧ...) a solid chord: five fingers in each hand plus two feet @21:12,21:16,21:19 war (ΠΟΛΕΜ...) staccato @09:09,11:07,12:07,12:17,13:04,13:05,13:07,16:14,17:14,19:19 was/is/shallbe (Ο ΗΝ ΚΑΙ Ο ΩΝ ΚΑΙ Ο ΕΡΧΟΜΕΝΟΣ) God's motif repeated thrice in treble over once in bass @01:04,04:08,11:17,16:05 water (ΥΔΑΤ...) I Ching trigram down-up-down @01:15,08:11,11:06,14:02,14:07,16:03,16:05,16:12,17:15,18:19,19:06,21:06,22:01 white (ΛΕΥΚ...) white notes on the keyboard @01:14,03:04,03:05,03:18,04:04,06:02,06:11,07:13,07:14,19:14,19:19,20:11 white cloud (ΝΕΦΕΛΗ ΛΕΥΚΗ) increasingly add one white note at a time to a tone cluster @14:14,14:16 wind (ΑΝΕΜ...) I Ching trigram up-up-down @07:01 wine (ΟΙΝΟ...) sparkly effect: rapid c'-g-f-c-f-g-c'-g-f-c-f-g @06:06,14:08,14:10,16:19,17:02,19:15 wings (ΠΤΕΡΥΓ...) a waving pattern of triplets @04:08,09:09,12:14 wisdom (ΣΟΦΙΑ...) Bach's Invention in F major, backwards: c-d-e-f-e-f-g-a-g-a-b-c' @05:12,07:12,13:18,17:09 witness (ΜΑΡΤΥΡ...) something inspired by Fauré @01:02,01:05,11:03,11:11,12:11,12:17,15:05,17:06,19:10 woe (ΟΥΑΙ) the blues scale 0 3 5 6 7 10 12 @08:13,09:12,11:14,12:12 woman (ΓΥΝ...) appoggiaturas @09:08,12:01,12:04,12:06,12:13,17:03,17:04,17:06,17:07,17:09,17:18 word (ΛΟΓΟ...) something inspired by Franck @01:02,03:08,12:11,17:17,19:09,21:05,22:06 worship (ΕΠΕΣ..., ΠΡΟΣΚ...) something inspired by Messaien @01:17,04:10,13:04,13:08,13:12,19:10,19:20,22:08 wrath (ΟΡΓ...) a certain jumping/gurgling melody @06:17,11:18,14:10,15:01,15:07,16:02,16:03,16:04,16:08,16:10,16:12,16:17,16:19,19:15 write (ΓΡΑΨ...) Alberti bass accompaniment: c-g-e-g c-a-f-a c-g-e-g @01:11,03:12,10:04,19:09,21:05